A note of support, c1984

While sorting out personal papers recently, I came across this note of support from an impeccable sub-editor and loyal friend during my April 1982–July 1985 stint at the New Zealand Listener magazine.

I humbly confess to Jacquie’s charges. I can’t recall now just which project we were working on 30 years ago that encouraged this note, it could have been any of a number. I had made a decision, from day one at the magazine (April Fool’s Day, 1982), to stand my ground as a photographer, to signal an entitlement to my own voice, to establish that voice within the magazine by meaningful sway over the edit and selection of my images, and the manner in which they would be used.

The trouble was, confrontation was my method of choice, and while that worked for a stretch, the dragooned and coerced in time found a way around me.

Jacquie, however, despite proof of the note otherwise, was a comrade-in-arms, a loyal friend, and when the moment was important, we worked carefully together to advance particular social and political agendas.

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Body of Work

... published, signed and shipped

‘Body of Work’ was published and signed during Paris Photo 2015 .. first at Le Bal, November 12, and again, Friday 13, at Café Lehmitz,  just before madness came upon Paris .. pre-orders have shipped from France.


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 ... an excerpt from the afterword.

In the first instance, ‘Body of Work’ is about the orchestrated process of horse breeding. But, as I wriggled through the months of scrutiny, amidst the rawness of procreation, I became aware of a common anomaly in the mares being served. I came to recognise, in one mare after another, an anthropomorphic capacity to reflect. Through mournful eyes, they would make known an understanding of their peculiar predicament.

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